Sprinkle Blog

  • Coffee Break

    March 28, 2011

    And now for a glimpse into Sprinkle Lab’s office from resident GIF creator Brandon: 

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    Along the way, the factory owners faced a choice.

    They could trust workers to use their best judgement, to figure things out, to make things better, or they could work to eliminate individual initiative and instead trade the upside of improvement for the certainty of compliance.

    You guessed it – many of them chose compliance.

    The problem: you can’t get blander than bland. You might have a dependable and predictable and cheap product, but if the market wants something better, you’ll be stuck playing catch-up.

    — Seth Godin

  • Love for Loners: Oh no, Ono!

    March 25, 2011

    Love for Loners is our weekly feature promoting awesome work that is currently streaming for free online. It is written by resident misanthrope Jon Smith.

    According to the calendar, which I often misread, it’s March 25th. So what does that mean? Well, first of all, it’s Friday. It’s also Jenny Slate’s birthday. Every one wish Marcel the Shell a happy birthday! Also occuring on this day (in 1969), John Lennon and Yoko Ono held their first Bed-In for Peace. Hooray peace! Hooray beds! Speaking of beds, here’s your weekly dose of good work streaming on the internet for those of you who will be having their own Bed-In for Laziness.

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    The Taking of Pelham One Two Three
    You just asked yourself, “Wait, doesn’t this star Denzel and Travolta?” Of course not, you’re thinking of The Taking of Pelham 123. This is the shittier, more drama-infused remake. In elementary English, we learn to always spell out single digit numbers. Apart from the film Se7en, you should always avoid movies that are grammatically faulty. This Pelham is from 1974, and it’s hilarious. This film plays like a thriller, but pretty much everyone involved is more frustrated with the situation than frightened. It truly encapsulates the undying assholery of New Yorkers. Even in the face of terrorism, the hostages can’t help but mouth off to their captors.

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    How to Lose Your Lover
    This is one of those movies that resonated strongly with the state of my life at the time of viewing. I had been in school for two years and couldn’t give one less of a shit. Everything felt mundane and boring, and I just wanted to get out. This is a movie about a guy who feels the same way, and decides to drop all social codes and treat people the way he’s always wanted before he jumps town. Somehow, this new change starts to work out for him, despite his attempts to ruin it all.

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    10 Items or Less
    Like most good shows, 10 Items or Less didn’t get the credit they deserved when on the air. The show ran for three seasons on TBS, but no one I’d met knew it existed besides me. When my concubine reintroduced me to it over the summer, I was overjoyed. I subsequently watched through the entire series three times over the course of a few days. Remember, like all TV, it takes them a few episodes to find their rhythm. I suggest watching the first season, since it’s only five episodes. If you like it, just turn on that auto-play and pour yourself some absinthe, because you’re not going anywhere.

  • Humpin’

    March 23, 2011

    Wednesdays are universally recognized as the worst day of the week. Here are some coolies from around the web to get you through the day.

    FOR YOUR EYES:

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    Nobody Beats the Drum – Grindin’
    This is a stop-motion animation, meaning that everything you see was physically filmed. See if you can figure out how the hell he did it before the end. We did.

    FOR YOUR EARS:

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    Lunch Special Pt. 3 – Young Black Preachers
    Bandcamp is what myspace should’ve been. Download this album and let it carry you through the monotony of your life.

  • Faces on Film Harlem Roses

    On our last night in San Diego, we had the distinct pleasure of attending one last Habitat show. This time a few-dozen attendees clambered up into the attic to catch a rare performance from Mike Fiore of Faces on Film. The above piece — captured by Sprinkle Lab director, Brandon Tauszik — was featured in a lovely writeup by Nada Alic over at Friends With Both Arms:

    “Overall it was a really special night for me and my friends. Everyone was stoically silent as he sang, he’s got a purity in his voice that filled the attic in a beautiful way, and left everyone in a sort of awe about his performance. Thankfully, Brandon captured it in such a dreamlike way that I can remember it vividly- but also appreciate it in the art piece that was the video he produced.”

    Brandon had the video edited and picture-locked, but felt it was still lacking that something it would take for him to want to spend four internet minutesviewing it. So he tried a bunch of different ideas, effects, techniques, whatever. Nothing worked, so Brandon decided to bust out the VCR. Here’s the workflow:

    Export video from Final Cut > Burn DVD > Play DVD into VCR and record to tape > Play back tape on old tube TV > Record playback on camera > Import footage to Final Cut and overlay on original footage = KAZAM: A lo-fi, drowsy, spacey piece that is (ideally) a pleasure to view.

  • Pretty Pictures

    March 22, 2011

    Check out this freshly cut compilation of images we’ve captured as amigos and co-conspirators. Shot over the past couple years, it’s a bite size taste of our infinite capabilities.

    If you’re cool, you should subscribe to our newsletter.

  • Sneak Peek

    March 21, 2011

    We were lucky enough to spend some time interviewing Steve Blank about his twelve years in eight high technology companies. We covered everything from the future of entrepreneurship, art, venture capital, bootstrapping to the advice he would give to entrepreneurs chasing their dream in a garage somewhere.

    Our interview with Steve is part of a new series we’re releasing featuring tech luminaries, up-and-coming entrepreneurs, and seasoned veterans in the industry. We’ll be highlighting the technology community and the insights that bubble up through the interviews.

    Sign up for the Sprinkle Lab newsletter to get the first peek.

  • Love for Loners: Ireland Sucks

    March 18, 2011

    Love for Loners is our weekly feature promoting awesome films that are currently streaming for free online. It is written by resident misanthrope Jon Smith.

    St. Patrick’s Day happened, I think.

    In cities and towns across the globe, humans are typing slower, blinking longer, and possibly finding a stealthy place to throw up without anyone noticing. All of this suffering can be attributed to one man: Jesus Christ. Patrick is a saint, isn’t he? Anyway, if you’re hungover, or if you’re just lazy like me, here’s some awesome entertainment you can watch on Netflix Instant, because Hulu’s selection is a load of crap.

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    Me And You And Everyone We Know
    It’s strange how experiences intertwine. This film is incredibly provoking by itself, but whenever I watch it, I’m taken right back to the time and place I first saw it: curled up on a couch, sharing a blanket with a friend I secretly loved. Even though that time has passed, I still get the same swelling in my chest whenever I see ))<>((. Emotions aside, this movie is hilarious and incredibly heartwarming and a great segue into making out on a couch.

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    The Baxter
    Michael Showalter co-wrote and starred in my favorite film of all time, Wet Hot American Summer. In The Baxter, he tried his hand at writing, acting and directing. I think he did a pretty great job at telling a story we nice guys know all too well. Along with Michelle Williams and Elizabeth Banks, this movie won my vote before I even started it.

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    Party Down: Season One
    This is one of the many great shows that never got the recognition it deserved. Although, since genuinely good work always get the short straw in Hollywood, I guess the show’s failure could be considered a badge of honor. Season one was going great, and then Glee happened. Jane Lynch’s exit from Party Down to play Sue Sylvester would be their eventual downfall. Why? Two words: Megan Mullally.

  • This one should go down in history

    After years of endless suing, lobbying, and silly “piracy is stealing” commercials, it looks like one studio has come to terms with the digital age. Paramount Pictures will be distributing the faux-documentary horror flick “The Tunnel” over BitTorrent as they also release it straight to DVD.

    The film has been using a crowd-sourced model for production financing. In order to make the picture, the producers sold 135,000 individual frames that fan backers could buy for $1 each. The production studio shows that 29,495 of the 135,000 frames were sold to help finance the film.

    Although this distribution model has yet to prove it can turn a profit, it’s a great first exploratory step for an industry that has had a difficult time in finding their footing in the never-going-away digital world of file sharers.

    Viva web video.

  • Why we use Vimeo

    March 17, 2011

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    As video continues to boooooooom on the web; more and more companies are trying to figure out the best way to host and monitor their fancy videos.

    If you’ve been to our site, you might’ve noticed that all of our content is hosted by the good people at Vimeo. We think that their friendly community of filmmakers and video hobbyists are the cat’s pajamas.

    We figured we’d highlight some of our favorite features on Vimeo, and tell you why we pay money to use them.

    Serendipity: The power of platform.
    One of the most powerful benefits of using Vimeo (or Youtube) as a video hosting solution are the enormous user ecosystems that are attached to their platforms. When you upload your media to Vimeo, not only will you get views from your supporters and clients, but you’ll also get an opportunity to expose your video serendipitously to users far outside your personal network. The platforms of Vimeo and Youtube give your video a better chance at spreading, making a greater impact on your brand’s presence across the web.

    Feedback: The power of a vibrant community.
    Feedback and comments about your media can be an important research tool for improving your future video campaigns. The commenting and social networks on video platforms give a glimpse of what your target demographic thinks is awesome, and also what they think is a bore. Since the members of Vimeo are encouraged to produce and critique each other’s work, their comments tend to be more constructive, in a positive and uplifting tone. 

    Design Focused: Love is in the details.
    Vimeo’s bright, modern design tops many websites being used today. Not only has the design team focused on usability, but their community forum allows for direct input from members actively using the site. Many of the features Vimeo has rolled out over the years were suggested by users who wanted to see them exist.

    Video Player Customization: Keep your brand equity.
    The beauty of the internet lies in its open platform, giving everyone the chance to stake their claim. How many successful Internet start-ups began with three guys in a garage? The last thing we pioneers want to do is have some corporation’s logo slapped across our content.

    With Vimeo, there’s no worry! Their Plus account offers not only the option of removing their logo when embedding your videos, but you can also require your username and photo to appear over any videos being embedded. This means that wherever your video is embedded, they will know exactly who made it.

    Bang for Buck: Save money, still look like a pro.
    Although the higher-end services like Wistia offer more features, a lot of companies are just starting and can’t afford such delicacies. Being a lean start-up, Vimeo’s $60 a year plan is right up our alley. The benefits you gain as a Plus member greatly outweigh the two-cups-of-coffee-a-month price range.

    In closing, Vimeo is a great platform for businesses looking to save money without losing too much on the feature-side. Down the road, it is very likely Sprinkle Lab will migrate to a pricier, more illustrious video service. Until that time comes, we are Vimeans through and through.

  • Introducing: Love for Loners

    March 11, 2011

    Love for Loners is our weekly feature promoting awesome films that are currently streaming for free online. It is written by resident misanthrope Jon Smith.

    It’s the weekend, which means — unless there’s a good show or party to attend — I’ll be locking myself indoors with the curtains drawn building a city, eating snacks on snacks and surfing okcupid for my soulmate. This column is dedicated to those of you who prefer the dim glow of an LCD screen over the horrifying strength of the sun.

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    Death to Smoochy
    I’d like to think Death to Smoochy gives insight into what it’s like to be stuck inside the mind of of a madman. Yes, Robin Williams plays a children’s tv show host who goes crazy after being busted for accepting bribes, but the madman I am referring to is the director, Danny Devito. This film is somehow both the darkest and most uplifting film I have ever seen.

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    Hannah Takes the Stairs
    Mumblecore is not a genre of music, but of film. First started by Andrew Bujalski, mumblecore movies are like mockumentaries without the humor. They’re super-low-budget and focus on realistic personal relationships between twenty-somethings. When I say realistic, I mean that most of the dialogue is unenthused and doesn’t really go anywhere. Most people don’t “get” these types of films. I suggest you give it a try.

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    The Beach
    Danny Boyle has made some of my favorite and least favorite films of all time. Sunshine? epic. Millions? Lame. 28 Days Later? The shit. Slumdog Millionaire? ÜBERLAME. This is the one movie of his that I hadn’t seen yet. If you’ve ever travelled overseas or dreamed of running away from your life, you will love this movie. It’s also so suspenseful that, on a few occasions, I screamed at my computer I was so nervous.